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Softly, It Began To Rain

An Aspiring Author's Bullshit Stream of Consciousness

~Empty~

So it’s, like, 4:30am, and I’m a little delirious.

Most people probably won’t see this. They’ll be out, or asleep, and by the time they check tumblr tomorrow morning, this post will be lost in the sea of crazy GIFs and photos of Ryan Gosling.

I’m pretty empty lately.

I’m alone at night. And the night gets all up in my business.

I’ve a friend whom I’m pretty close with, but only through text because she lives so far away. Sometimes she doesn’t reply for a few days, which is fine, but I feel like such a desperate loser because I’ve got nobody to talk to.

I’m making room to have crushes on girls I’m barely attracted to because I’m worried about losing my romantic asperation.

I can’t edit or work on my manuscript because I’m waiting 5 weeks for the assessment to be completed.

And tonight, I’m playing Magic at 3am. There’s nothign wrong with that. But I stop, and zone out and think; the fuck am I even doing? Is this my life? I can’t even, sometimes.

I know the things I want, but they’re reserved for daylight fantasy.

I get bitter too quickly.

I think the few people I do talk to about how I feel don’t take me seriously. That’s fine. They’ve problems of their own, and everyone’s personal problems come before everyone else’s. Nobody can help that.

This is some sort of depressive humility I’ve aquired.

I don’t know if I want a girlfriend, so much as I like the idea of having one.

I just want to be successful. I want to achieve the things I want to achieve.

I want to stop working this job, but can’t afford to do anything else.

I want to be validated. I want to feel like the choices I’ve made in life actually matter.

In some sense. Realistic or cosmic; I don’t care.

I want to get lost in dreams. But I don’t want to run away.

I saw a thing on tumblr earlier today. It was about this $6 billion one-way trip to Mars for a group of willing pilgrims. It said they’d never be able to return to Earth.

I thought for a moment; is that what dying must feel like?

Come to terms with your own spiritual fragility.

Among the Geeks

[See also Palace and King]

I sometimes think I’m an alcoholic.

But, not in the sense you mean. I live by myself now, and I’m single. So sometimes, after a nine-hour day at work, I don’t want to go home. I didn’t plan to go and get drunk at the local. But I wander in, and everyone says ‘hi Brian’ and they ask me what’s been going on, etcetera.

But I’m not talking about alcohol. Or a pub. I’m talking about playing magic at Games Laboratory in the CBD of Melbourne. There is a culture there that I feel I’m a part of. It’s nice, really, seeing as over the past few  years I’ve been havign this Pat Bateman-esque issue of wanting to ‘fit in.’

I still don’t fit in there exactly. Nobody is complete, I suppose. But I’m among like-minded people. Wait, even that is a stretch. Rather; I’m among people who want to spend time talking about similar subjects. Such as Magic.

So, tonight the excuse was to go there to charge my phone, (I’m on first-name terms with all the staff, so they let me use their charger), while awaitign a text from Dave and Oli to see  if they wanted to do dinner.

They were both busy. Fair enough; it’s the middle of their uni semester and it’s a fucking Thursday. But i’m always still a little lonlier. A little more pathetic. So I saunter around Games Laboratory for a while.

There was a tournament on at 7 in which I had no intention of participating. However, Phil conned me into borrowing his deck.

Ah, Phil. I adore him so.

He’s a great guy. He reminds  me a bit of Jax Teller, but with longer hair and he’s probably a little shorter (he’s a dreamboat, ladies). He’s just really friendly, and we’ve a similar sense of humour.

But more importantly, we’re both Black Wizards.

[Sidenote: I’ll try and keep magic refferences to a minimum, but I’ll explain breifly: There a five colours of ‘magic’, each with their own flavour. ‘Black Magic’, as you can probably guess, is the most ‘evil’, ‘dark’ and ‘power hungry’ of the colours.]

After he showed me his delicious pile of cards, and the concept behind his little Black combo, I couldn’t resist. I played the tournament.

Flashforward to round 4:

Each round is played in a best-of-three format. My opponent, a naive yougn wizard named Eli, were in game three, meaning we had both won on game each.

It looks like I’m about to die, and then I make a major come back. Phile is standing at  my back, eyeing the cards in my hand, but unable to assist in anyway seeing as it was a sanctioned tournament.

Suddenly, there is a group of twelve other, glassy-eyed geeks watching. And suddenly, my combo goes off, and I rip my opponent down from his starting life total, to below zero. With 26 zombies, no less.

The rush I felt was amazing. It would be akin to, -I imagine-, playing a sportsball game and being down at three-quarter time, only to kick seven plus goals and crush the opposing team. All within view of your cheering fans.

I got many fist-bumps, hand shakes and grins of awe-struck approval.

I felt like I fit in, somewhere. And it’s among these geeks. Sure, I’m not as ingrained as they are. We’re all different outside the Laboratory. But I felt good.

And I felt a litle less lonely.

That’s something, right?

Love and kittens,

Brian

A very mastabatory editing photo I took a few weeks ago.

A very mastabatory editing photo I took a few weeks ago.

Dead Thoughts

I need to vent a whole lot of pent-up rage.

It’s just about stupid things and infuriating people on the internet that aren’t actually doing anything wrong. It’s me and my god-damned hyper-sensativity and sense of privledged self-righteousness.

I hate it.

I don’t know why I feel this way. It’s because I’m lonely all the time, most likely.

I get like this and I post shit captions of my manuscript on the internet to try and validate my life choices.

But no matter what I manage to pull from the sliver of my soul that will let my fingers touch it, it will never get as many ‘likes’ or ‘comments’ as a photo of an attractive girl with good oral hygene.

This.

Nightsong [Part 2]

[Six weeks until I hear back from the assessment service. That means there’s little point in working on my manuscript! Yay! So, in my broedom, I’ve tried to follow on from the short fantasy piece I wrote a few weeks ago. I hope my idea of dark fantasy isn’t too fucked up. Let me know. I may continue it. (Unedited).]

            He found her in the Whisperwood the following afternoon.

            Under the deep, black thunderhead that never left the sky above Rhavenfel, Fiana went about filling her rutsack with kinderling from the forest floor. The tall pines around her shook with the echo of a heavenly rumble as the clouds rolled against one another.

            She’d cut her fingers on the razor-bark that was scattered about from the recently harvested trees. No matter how much the citizens protested, the mills outside the village refused to properly clean up. Thanks to that, Fiana’s fingertips were slit and bleeding.

            The black bark lay in shards the shape of jagged knives in perfect rings around the hollowed forest floor where the trees had been uprooted. They popped up intermittently in the forest, along with track marks from carts and the heavy footprints of Iron Men imbedded and frozen in the drying mud.

            She sighed and slung her rutsack over her shoulder. It was only halfway full, and she didn’t want to be forced to return to the forest before the week was up. If Alir had just listened to her and agreed to only light the cooking stove every other day, it would save her the trek into the Whisperwood.

            Her sandals were soaked in mud and dead weeds had caught in her brown leggings as she trudged through the brush toward the road that lead down the incline and into Rhavenfel. She bent down to snatch up stray twigs and branches small enough for a fire as she went.

            ‘Alir has you come out here alone?’

            Lars startled her, but Fiana’s stoic face betrayed her ramped heartbeat. He was on the opposite side of the three-metre-wide road. It was coated in gravel and the carts that travelled it had dug long, thin grooves into the earth.

            Lars wore his smug smile, two rutsacks completely stuffed with kinderling were slung over his left shoulder, held steady by his thickly muscled right arm. His tunic was stained with mud, and the cream leggings he wore had streaks of blood on the right thigh.

            ‘It’s perfectly safe in the day.’ Fiana countered, and stepped out onto the road as a raven squawked high above before launching from one pine to another, causing a flurry of needles to come fluttering down to earth.

            Lars began to follow her as she walked back toward the village. ‘Safe, yes. I’d not say perfectly.’ She could feel his grin.

            ‘Perfectly safe for me, then.’ She countered, and tugged at her sack as it threatened to fall off her shoulder.

            ‘You’re heading back then?’ Lars’ footfalls echoed her own as they crunched against the crushed rock strewn across the road.

            ‘It would appear so.’ She was having trouble masking the disdain in her voice.

            ‘You’ve hardly filled your sack. Perhaps I can offer you-’

            She spun on him. ‘I may have been unclear last night.’ Fiana stated suddenly, causing the taller man to stop in his tracks lest he run into her. ‘My brother and I are greatful for your assistance with the Collector. As soon as we can spare the money, we shall repay you.’

            Lars seemed confused. ‘I’ve done something to offend you.’ It was not a question.

            Fiana’s eyes lingered on his for just a touch longer, but she decided to say nothing further. She turned and continued down the road. She felt the hill dipping, and the thunder rolled again overhead.

            It was only moments before she heard his heavy, trudging footsteps behind her. ‘Shall I assume it is my foreign tongue that offends you?’ He asked her. ‘I’ll remind you that you’re of a Yordish family, you’re also foreign.’

            Fiana rolled her eyes and tightened her grip on the sack. She was born in Rhavenfel. Her Father and her Uncle were Yordish, but she and her brother only by heritage. ‘Nobody can be blamed for lineage.’ She stated.

            ‘That we can agree on.’ He said, and hurried his footsteps so he came along next to her. She glanced up at him tight-lipped and quickened her pace. He matched it just as hastily. ‘I’m afraid then, that I am unsure as to why you harbour such malice toward me.’

            It wasn’t Fiana’s business to say why. Her opinions were her own, but Lars couldn’t take a hint. She felt her stomach burn with frustration at his insistence.

            ‘If you’d give me the reason, I’ll happily do my best to rectify it.’ He said, through huffed breath. ‘Where I come from, neighbours should be good friends. Family.’

            She stopped again nearly slid on the gravel when she turned to him. Lars’ twin sacks nearly swung around and hit him in the stomach, but he held them steady. ‘Pestering me isn’t going to make us family.’ She said. ‘Shouldn’t you be at work Lars?’

            The realisation washed over his face. ‘Oh…’ He stammered and looked away for a moment. ‘You blame me for my profession?’

            ‘Can it be called a profession?’ She spat the word.

            His face became stern. ‘I provide for my three siblings as Alir provides for you. That is no crime.’

            ‘Your work is a crime.’

            ‘Not in the eyes of the law.’

            ‘In the eyes of nature.’ She spat at his feet and habit had her mutter a few Yordish words of curse at him.

            She regarded her expectoration with a contemptuous dignity, and sighed. ‘I’ve no choice. I must provide, and so I go where the work is.’ He said. ‘If that is a sin, then I’ll be condemned. But I’ll not let my siblings starve as my Father did me.’

            ‘If you truly loved your brothers and sisters, you’d go to the mill and ask for work.’ She said. ‘Everyone in Rhavenfel knows that the mill is short of hands.’

            ‘The Flesh Farm pays far better-’

            She cringed at the word. ‘And there.’ She nodded. ‘Greed is superior to your moral dignity.’

            She turned and began to walk away again, stepping off the road and striding deeper into the Whisperwood on the other side. Her thin legs drove her on in long strides, and her breath puffed out in mist from between her lips as she went.

            She heard Lars following her. The sound of his footfalls caused a flutter of anger to fill her heart as she wandered deeper, and faster. The tall, paling soldier pines around her thickened the wood, and the cool breeze wrapped around her and held her tight.

            She stopped suddenly, when she saw the ruined cemetery.

            She’d forgotten about the Whisperwood Graveyard. It had been years since anyone had been buried here. The tombstones were granite and ebony and a few were petrified wood. All of them were broken or crumbling, and weathered so badly that the names and epitaphs were impossible to make out.

            The graves had once sat in a grid, but so many had been tossed and broken, and scattered to the winds of time that the cemetery sported only a dozen or so noticeable graves amongst the shrubbery and Grave Vines that had sprung up around them.

            Lars stepped up beside her and looked over the sepulchral stretch of forest.

            She heard him suck in a breath that was either in excitement or shock. Fiana couldn’t tell. ‘When did they last bury someone here?’

            Fiana had to think. She’d been a very young girl the last time Rhavenfel had a funeral procession. She couldn’t remember. ‘He was a baker, I think.’ She said.

            ‘The Curse has turned this place of mourning into-’

            ‘The forest floor.’ Fiana continued.

            The gave dirt before all the remaining tombstones were piled and stirred. Long ago, the inhabitants of these graves had stirred, and dug themselves free of the earthly confines. The corpses had walked into the village and made three more to join their ranks before the Rhavenfel militia set them afire.

            Cristof, Helmut and Nadia. She remembered them. They’d been attacked and killed by the walking corpses in the town square, while Fiana and Alir had ran like everyone else.

            Lars placed a hand on her shoulder. ‘I’m… sorry, Fiana. I’m sure this place is stirring horrid memories for you.’

            Her eyes flashed and she span around. ‘Your sympathy won’t make me forget your greed, Lars.’

            She turned away from the graveyard and made her way back toward the road. The sky was darkening. She wasn’t sure if it was getting later, or if the clouds were getting thicker.   

            ‘That greed payed for your husband’s corpse.’ He called as he gave chase. ‘The cotton from Alir’s mill couldn’t.’

            Fiana cursed and tried to banish her thoughts. She tried to ignore Lars and forget the conversation. She trudged faster through the brush toward the road as she grit her teeth and cursed her thoughts and her memories, and the whole damn world they lived in.

            The Flesh Farms.

            Lars’ line of work was the most despicable thing any willing man could take part in. They were factories. Horrid, rancid farmhouses where human women were tied up and bred by men, like cattle.  And the innocent, fetid offspring would be shipped en masse to Darhgenhal.

            ‘I would join my husband’s corpse if I thought it would help the women you rape for work.’ She said, stepping back onto the gravel road and turning toward Rhavenfel. ‘Nothing excuses that. Nothing.’

            Lars shrugged. ‘You may believe as you wish, Fiana. I cannot change that.’ His feet kicked up the stones as he pursued her. ‘I do what I must to feed the ones I love, as I’m sure you do. And despite what you said, it isn’t greed that keeps me. I would go to the mill, but-’

            ‘But you’d rather fill the Darhgenhal carts with newborn children than cases of cotton.’ Fiana spat again.

            ‘No.’ He said. ‘I’ve really no choice. Before his death, my Father worked for Olivia Von Joachim.’

            She stopped in her tracks and turned around, spying him. She had to laugh. Just once. Sarcastically. ‘Oh, did he?’

            Lars nodded, gravely serious. ‘He did. My blood is pledged to her service. And she requires my attendance at the Rhavenfel Flesh Farm.’

            It took a moment, but then Fiana realised that Lars wasn’t making a jest. She narrowed her eyes. ‘Your Father worked for Olivia Von Joachim?’

            ‘Yes.’

            ‘The Vampire?’

            Lars nodded. ‘The Ventil, yes.’

            Fiana’s hand reflexively made the sign of Yord at the mention of the Vampire’s name. She felt a shudder, and the thunder rumbled low overhead. Olivia Von Joachim was the Ventil of Rhavenfel, and the surrounding counties. She was renown, thankfully, for preferring to rule from within her manse in the capital. Fiana was sure that nobody in Rhavenfel had any direct connection with her.

            Until now.

            ‘I’ll ask then, that you do your best to reserve your harsh judgement in the future.’ Lars said taking the a few steps to close the gap between he and Fiana. ‘And I’ll have you know that The Ventil killed my Father. And she ordered the death of my Mother. And her castellan took my two youngest siblings captive. I imagine that by now they are also dead.’ He forced a smile back onto his face, though it seemed no less smug than previous. ‘So, please forgive my cowardice, as I do my duty both out of a want for copper, and the fear for the safety of my remaining family.’

            He turned from her and took long, fast strides down the hill toward Rhavenfel. Fiana watched him go, his footfalls kicking up gravel as he went.

            The clouds rolled and boomed so deeply that Fiana felt her ribcage rattle in time with the shivering trees. The wind gusted between the pines and raked like teeth over her bare skin, drawing goose bumps up from her pale flesh.

            It was at least two hours before sunset, but Fiana saw lamps begin to flicker into life throughout the village below.

            She thought on Lars for a few moments longer. Part of her felt terrible for the way she’d misjudged him. But another part of her, a stronger, if not more paranoid part, wanted to see him dead.

            ‘The Ventil,’ she purred and shut her eyes in a reserved terror.

            The sound of the cart coming up behind her shook the fear from her. She turned about and quickly stepped out of the way in accordance with the cursing of the Cart’s driver.

            Fiana’s eyes went wide. It was no cart.

            It was a stagecoach. Drawn by a single, silver mare, the coach was three times the size than any cart she’d seen. She’d heard of the luxurious carts before, but never had she laid eyes on one. It was built primarily of deep, black Razorwood, and it’s frame and wheels were made of heavily varnished redwood. Intricate patterns of vines and blooming flowers were painted across the doors in white inks.

            Fiana knew that in the capital those decorations were meant to signify the high birth of the occupant. She had also heard that the variations in decorations indicated the family to which the occupant belonged. To Fiana, they were just beautiful, and in the few moments that  it took for the black-windowed coach to pass, that was all the mattered.

            She watched the mare trot down the hill, the huge, redwood wheels kicking up gravel and sinking deep gashes into the soft earth beneath them. She stepped back onto the road and chased the cart for a few metres, until she reached the crest of the hill and watched it’s slow descent.

            From here, Rhavenfel looked like a village built from the night sky, glittering with the lonely stars that held the evil dark at bay.

            And toward it, rolled some stranger.

            For the first time, Fiana was more curious than afraid.

Fan Fiction and Me

So, I don’t want to upset anyone, and please, I welcome counter-arguments because I’m speaking from a relative position of ignorance, BUT: I’m not sure if I understand the point.

As near as I can tell, fan fiction [FanFic], is when a fan of a series or IP [Buffy, Doctor Who, The Avengers, Star Trek etc], takes it upon themselves to write a short story, [or in some cases, even novellas], set in the world of the selected IP, using it’s characters.

So, I guess there are two things I don’t understand.

The first being: Who would want to read this? It’s a [relativly] niche audience these writers are appealing to. I understand the level of fanboy/fangirl-ism that must go along with wanting to read or write FanFic, I’m possessed of much of it myself.

Is it possible that I see it differently? If someone were to post FanFic for, say, Star Wars or A Song of Ice and Fire [both of which exist in multitudes], I would have absolutely zero desire to read it. These are two IP’s I love with an undying passion. Is it because some part of me considers it a violation of some sort of sancitity? Maybe. Is it because I find it a little arrogant that some no-name on the internet thinks they can do the IP or characters justice? Perhaps.

I think the real reason I’d have no desire to read it is fairly simple: You don’t own the IP. You’ll never know the characters better than the people that do. What you’re writing isn’t canon, so AT THE VERY LEAST, if I enjoy what you wrote, it’d be fairly pointless as it will have zero effect on my love for the series.

The second thing: Why would anyone write FanFic? I’ll admit I can sympathise a little more with this part than the above. I remember when I ws very young, and wanted to write about everything all the time. I’d go and see Pirates of the Carribean at the cinema and then suddenly my next story would be about a drunken pirate who DEFINETLY WASNT Jack Sparrow.

But even then, that was more ‘inspired.’ I never started writing a Buffy story after the series had ended because I wanted to know what would happen if Xander and Spike ever went on a road trip together. If I did, I might have done so as an excersize to see if I could do it and have the characters come across as authentic. Being authentic knock-offs, that is.

But I would never have posted it anywhere. No matter what, as a writer or whatever you think you are, you will never know characters as well as their creators. You can see every episode, film or read every book in which that character exists, but you’re never going to be able to show the author of said work your FanFic and have them go; “Oh shit, X totally would have done that, too! I’m so surprised by this!”

So, I’m sorry if I’m sounding agressive, and if someone could explain this to me, i’d be apreciative as I’m quite sure there is something I’m not seeing, right? And I’m not trying to be sarcastic or passive-agressive. I’m curious.

In short, I think I find FanFic to be at best invasive and at worst insulting to the original work.  I think it’s a poor way to try and develop skills as a writer [be inspired, don’t carbon-copy], and beyond that, sharing it seems to be rather pointless unless you’re hoping for a thumbs-up from another FanFic author.

Can I be corrected?

Love and Kittens,

Brian

I nearly cried during this scene.

I’m not even ashamed.

Few characters have ever resonated with me as much as Jaime Lannister. I think it’s a testament to George R. R. Martin. It’s a whole… ‘Reading book by their cover’ type thing. I’m not sure, but I could write about him for hours.

There is something about him I find so subtly inspiring. It’s an arrogant level of modesty, these two sides to a proverbial coin that we constantly see slip and slide as he grows. But he doesn’t change in the strictest sense, I think he just shows us who he really is.

I don’t know.

I’m getting a tattoo for him.

And thank you, GRRM.

(Source: itsbeenalongtime-coming)

everythingwaswhatever-deactivat asked: <3

<3 you the most.

Nightsong [Part 1]

[I don’t write fantasy, -my manuscript is set in modern day Melbourne,- but this scene was brewing in my head the last few weeks and I had to write it down. Something about germanic names, or village life or… 16th century peasantry? Vampires maybe? Either way, it’s about thick, inescapable dark. I don’t know.]

She couldn’t stop staring at the corpse.

            It hadn’t moved. It wasn’t going to move. Fiana wasn’t sure why she couldn’t look away from it. She sat with her back against cedar wall, her knees drawn up to her chin, her arms wrapped about her bare legs. And she couldn’t stop staring.

            The body was sprawled across the floorboards of the kitchen, it’s legs and arms twisted about, it’s head turned to face her with its tongue hanging lazily from its mouth. It’s eyelids were closed, but Fiana could feel it’s cool stare even still.

            The candles on the wooden table in the centre of the kitchen were flickering with the breeze that drifted in from the cracked window above the wash basin. They’d never bought a candelabra. The five, thick, fat, wax sticks stood at varying heights, moulded together at the base, and stuck with melted and dried wax at the bottom.

            The five flames stood vigil for the darkness, while Fiana stood vigil for the body.

            She couldn’t leave the room. She knew that. She had to stay by the body. In Rahvenfell, it was against the laws and customs to leave a fresh corpse unattended until the Collector came. Her older brother had left to call for the Collector nearly an hour previous.

            She didn’t want to have to worry about his whereabouts, but she was beginning to.

            The darkness was thick in the house just as it was thicker without. The flames that danced on the tips of the five candles shifted the shadows like static, flashing, rippling water: The broomstick in the corner; the three stools about the table; the contours in the face of the dead man on the floor. They all shifted, and gave the darkness a horrid, mocking movement.

            Fiana tore her dark eyes away from the body when she heard the hoof falls on the road outside. A horse whinnied in the distance, and she heard the cooing whispers of its rider as they approached.

            Sharply, Fiana rose to her feet and stepped over to peer through the rippled glass of the cracked window above the wash basin. The glimmering lamps that jutted from the slick soil along the road gave off very little light, but in the bathing darkness she could see the horse and the open-topped cart.

            Her brother sat next to the rider; a man dressed in loose black robes with a deep, tattered hood.

            ‘Here,’ she heard her brother say, pointing to the house. ‘Just here.’

            He jumped from the cart and into the thick mud of the road before the Collector had even pulled the mare to a halt. Her brother nearly slipped in the slick as he made his rush for the door, flinging it open at appearing in the kitchen just across from her.

            The open door exposed the house to a great flow of cold air. Fiana felt goosebumps prickle away at her arms, and she folded them across her chest.

            Despite the cold, her brother’s face was marred with sweat. His dark hair was a greasy mop. His grey linens were wet under his arms and speckled with flecks of mud and grim, most likely thrown up by the horse on his ride back. Heavy black boots were caked with fresh mud that Fiana watch him trek through the kitchen as he walked to the body.

            ‘He’s here,’ her brother muttered again as he approached the corpse, slowly falling to his knees, and contorting his mouth as his tears grew anew. It was the second time that night Fiana had to watch him do this.

            ‘Alir…’ she said, softly, but her brother didn’t hear her. ‘Alir!’

            He looked up at her then. His tears were mixing with the droplets of sweat on his round, prickly face. ‘What?’

            ‘He has to be buried.’ She said. A man born in the Light of Yord must be buried. She remembered that much.

            ‘He won’t be.’ Was the craggy answer that came not from her Brother, but from the Collector at the door. His robes blew in the breeze, the hems tattered and stained with mud. His hands were thin and wrinkled with short, stumpy nails. He drew them up and flung back his hood. Beneath, his head looked shrunken and withered.

            In truth, Fiana could see he was just an elderly man. Weather-beaten and tried. His crown was bald and spotted with brown marks. His wispy, long grey hair grew in a horseshoe about his bald patch. His lips were thin, and his sad eyelids clung to gelatinous eyes too pale to be real.

            ‘A man born in the Light of Yord must be-’ Fiana began.

            ‘He will be burned.’ The Collector said, staring hard at her. ‘Oaths and Religion be damned. He’ll burn with the rest of them.’ He licked his chapped lips and stepped into the house.

            He wore no boots, but his feet were wrapped in thick, black linens and caked with dried earth. Fiana had heard tales of The Pits where the Collectors burned the dead. It was said they couldn’t wear shoes because the leather would go rotten with plague. Instead they bound their feet, and burned the rags at the end of each day.

            Her brother stood and wiped his eyes on his sleeve, and the Collector gestured to the top half of the corpse. ‘Get his arms, boy.’ The old man said, before squatting between the corpse’s legs and snatching an ankle in each hand.

            Alir planted his hands in the armpits of the body, and together they hoisted the corpse off the floor and began to walk it to the door and onto the road outside.

            Fiana watched them go. She watched their shuffling, awkward steps. She watched her brother turn his head away and close his eyes as they walked. She watched the corpse’s head loll about loosely on its neck.

            The Collector and her brother stepped into the mud outside. With a grunt, the Collector turned with the body and walked toward the cart.

            The rain was falling lightly again, spattering down onto the muddy streets of Rahvenfell. Fiana saw the children in the wooden lodge across the road staring out their window. The old woman who lived next door was praying at her doorstep, knees in the mud; forehead against the door. The elderly seemed to think they could ward with Gods. The young knew better.

            The street lamps had been lit hours before, and already they were straining against the dark. They were candles protected by four misty walls of glass, sitting atop iron bars, planted beside the road once every twenty yards.

            Dark soldier pines sprouted up from the moist earth in almost every space that wasn’t taken up by the road, or a wooden lodge. The leaves shifted and caressed one another in the air, and filled the night with the dreadful mourning sounds of pitch dark. The sounds Fiana knew; the life the citizens of Rahvenfell village lived.

            Lars, the boy across the street who was almost of an age with her stepped out of his house. The frightened faces in the window were those of his much younger siblings, Fiana knew.

            She wasn’t sure why Lars stepped out of the house, and pointedly shut the door behind him. She thought for a moment that maybe he was trying to impress her, the way he stood there in the waning light of the street lamp with his arms crossed over his chest, and watched as her brother and The Collector threw the corpse onto the back of the cart. The body landed with a fleshy thud, atop a dozen other dead bodies that laid in varying degrees of nakedness.

            They were all sprawled and thrown in as haphazardly as the last. Twisted arms and broken legs hung over and between the foot-high railings. Heads flopped on broken necks, mouths agape, eyes open and staring lifeless at the black, cloud-filled sky.

            Fiana felt that chill again, and she watched her brother step away from the cart as quickly as he could. He knew, just as Fiana did, just as Lars did; that while there were many things to fear in the darkness of Rahvenfell’s nights, the Corpse Carts were no exception.

            Some say you could catch plague just by breathing to close to a dead body. Fiana wasn’t sure she believed that. The Collectors hauled and handled and burned them every day. Most of them were old men. None of them had died from plague.

            The Collector wiped his hands on the hanging sleeves of his black robes and stepped around the Corpse Cart to check on the reigns of his horse. Alir stepped close to her. ‘We have to pay him.’ He whispered.

            Why he felt the need to tell her, she didn’t know. Everyone knew you had to pay the Collectors. If you didn’t pay them, it was said they’d make a corpse of you, too.

            ‘We haven’t any money, Alir.’ She whispered back.

            ‘Ssh!’ He hushed her. ‘I told him we did.’

            Fiana watched the Collector check the wheels of his cart, before idly making his way back toward she and her brother. ‘We should have buried him.’ She mused to herself. A man born in the Light of Yord must be buried. Everyone knew that.

            The Collector extended his withered hand to Alir. ‘Twelve coppers now, boy. As promised.’

            Her brother looked as though he might die as well, from fright or perhaps panic.

            ‘Can you debit it?’ Fiana asked, ‘against the mill?’

            The old man scoffed at being addressed so by a woman. A girl, really. ‘What Mill?’

            ‘The… The Rahvenfell Mill, sir.’ Her brother picked up. ‘I’m employed there, see.’

            ‘Employed, are you?’ The Collector asked. ‘Good for you boy. Do they pay you?’

            ‘Pardon, sir?’ Alir’s voice shook with grief and fear.

            ‘For work, boy!’ The Collector spouted. ‘Do they pay you for you work?’

            ‘Ah, yes, sir!’ He stammered. ‘But, by that, I mean no, sir they do not. Not in monetary means. By monetary means, sir. They provide my sister and I with food enough for us both.’

            The Collectors pale eyes fluttered to Fiana for a moment. His look made her feel slimy and dead. ‘So you ain’t no foreman, boy?’ The Collector asked. ‘You don’t own the mill, pray?’

            ‘No…’ Alir paused. ‘No sir. I do not.’

            ‘So, you can’t by any legal means approve a debit, can you?’ The Collector spat on the mud at Alir’s feet and growled, slathering his yellowed teeth. ‘I don’t appreciate being tossed around, boy.’

            ‘I didn’t! I mean… I wasn’t trying to… He… He just died. He died and law and custom require a Collector to dispose with the corpse. Of, dispose of the corpse, sir.’ Alir was sweating again.

            Across the road, Lars still stood, waiting and listening. His presence was beginning to annoy her. It seemed arrogant, standing in the dark, so near a Corpse Cart, staring at her.

            ‘Aye,’ The Collector told her brother. ‘But there are fees, boy. And the fees have got to be paid.’

            ‘How much, sir?’ Alir ventured.

            ‘Twelve coppers.’ The Collector said, pursing his thin lips.

            ‘Tw… Twelve?’ Alir muttered in reply.

            ‘Aye,’ The Collector confirmed. ‘Twelve. Unless you fancy coming with me to Dahrgenhal to pay off the debt with your sweat.’

            Alir shivered at the name of the capital. Rahvenfell was hard living, but a mortal human in Dahrgenhal was as loved as a plague-ridden mutt, and was about as likely to die as one, too.

            ‘No, sir. I pray-’ Alir began.

            ‘Twleve coppers, you say?’ Lars had an accent that Fiana had never be able to place, but his voice was deep enough to give it some authority edge.

            The Collector turned about to spy the tall boy in the darkness. ‘Aye. Twelve. And what’s it to you?’

            An impish smile crawled onto Lars’ hard face, and he stuffed his hand into his leathers and pulled out a small satchel clinking with coin. He fetched from it the sum and held his hand out to the Collector. ‘For your trouble, sir.’

            The Collector seemed sceptical at first, but upon feeling the copper in his fingers, he nodded a thanks to the boy. ‘No trouble. My duty, ‘s all.’ The Collector shoved the coppers into his robes and turned about, climbing onto his cart and producing a tiny oil lamp from beneath the seat. He lit it with a tindertwig and hung it from a wooden pole that had the lamp dangle at his eyelevel.

            ‘You’ll be on your way now, sir?’ Lars asked.

            ‘Aye,’ replied the Collector. ‘Must needs travel through the Whisperwood on the road to the capital. I’ll want to be disposing of these by first light.’ He thumbed at the pile of dead bodies behind him.

            Alir stepped back a little, pressing himself against the house.

            ‘Traveling through the Whisperwood during the hour of the wolf?’ Lars asked. ‘Surely there are safer roads, sir?’

            ‘Safe?’ The Collector scoffed. ‘The Driver of the Dead is the safest man in those woods. Hyah!’ He cooed the horse along, and slowly the mare pulled the cart down the road, the big iron wheels leaving half-foot trenches in the mud.

            The creaking of the cart became lost to the sounds of the swaying soldier pines and the light rainfall.

            ‘Lars,’ Alir said. ‘Thank you. I’ll repay you, you’re in my debt. Our debt.’

            Lars smirked again. Fiana hated that smirk. ‘That is good to hear. But know that I did it out of neighbourly kindness.’ He inclined his head in that foreign custom. ‘That said, ‘tis good to know you’re in my debt.’ He said this, with his eyes in Fiana.

            ‘It will be good for you to know that my Brother doesn’t speak for me.’ Fiana said, dryly.

            Alir gawked at her, and Lars canted a brow.

            She waited a moment for her anger to pass. Despite his arrogance, Lars had helped them. ‘I mean to say… We’re grateful.’ She managed.

            Lars’ smirk returned and he again inclined his head, stepping away from their house and through the mud to his lodge with his brothers and sisters. He stole one last look at Fiana before he closed the door behind him.

            Alir stepped past his sister and into the house. ‘Come in, Fiana.’ He told her. ‘It’s cold. We must fashion you some mourning dress.’

            Fiana didn’t move. She stood  in the dark, watching the flickering candles of the streetlamps. It was said that in Dahrgenhal the roads were made of stone, and the streetlamps were oil. But the small villages had to make do, and Rahvenfell pulled itself along, through all the dark times.

            The rain picked up, as did the wind. Fiana felt cold on her insides and stared up at the black sky as fat droplets of water splashed down on her pale face.

            ‘You should go inside, dear,’ The old woman next door said, as she rose to her feet, her knees dirty with mud from praying.

            ‘I should.’ Fiana said, opening her eyes and looking over at her silver-haired neighbour. ‘What did you pray for?’

            The woman frowned. ‘Your husband.’ She said. ‘I prayed to Yord that he might keep your husband from rising.’

            Fiana stared back at the woman as thunder rolled in the skies above so long and deep she could feel it in her lungs.

            ‘The dead always rise,’ Fiana told her. ‘Unless you burn them.’

So, I made this.

So, I made this.

I don’t post like this often, but this song is just… URGH.

What happened? It’s almost the epitome of why I feel I was born in the wrong decade. I can’t beleive I missed this. All I ever want to do is dance and cry to this.
The fact that I can’t ever, -not without forcing it-, drives me batty. I alienate myself.

This song reminds me of my Father, too. If it wasn’t for him I’d never have heard it. His was the generation I wish I’d lived.

Love and kittens,

Brian

Unemptied

Don’t tell me it’s ‘forbidden.’

I hate as much as love you.

Your touch thrills, but stills me.

And in a touch, I’ll tell it true:

You send my mind to a pit of fantasy.

Where there, my life is whole.

You’re the mistress of my imagination.

And your heart levies a heavy toll.

I write nothing but write for you.

And you smile and bequeth naught.

Your eyes are devils and angels and fae.

But it’s your soul that I have saught.

When we’re alone, I want you completely.

You’re a gaze, a bite, a stir.

I pull you close, and hold you always.

And you stammer and reply in murmur.

Do you know you haunt my dreams?

You have done so for years.

Always swimming about my empty heart.

And longing for lost tears.

Upon a barren moor I’ll lay your head.

Stuffed with unrequieted memories.

Your soul will be free, my love.

And through me will tell its stories.

If you die then take me with you, Lilith.

I’ll have no light upon this Earth.

Just stop upon the grass and weep.

And stir my soul within your hearth.

The world I built for you, sits idly in my head.

The life I live, you hate and must betray.

I’m a masochist for your love.

I cry out, and fail. Dismayed

I love you for your eyes and heart.

And it’s not you who hurts me, still.

It’s the empty hole within my chest.

That foreign devil; left there to kill.

The passion between us brims the air.

You can see it, bright at night.

Your face has chilled to my warm embrace.

From some imaginary slight.

Won’t you take me as I am?

So burned and frail and flawed?

Or do I read you wrong, my darling?

Do you play because you’re bored?

I’m bleeding on your plate.

I’m raw meat upon your tongue.

I wish you’d give me you heart, my love.

I’ll love, and I am done.

So, say not to me ‘forbidden.’

You want it as I do.

But you can’t free youself, sweetling.

So I say to you;

‘Adieu.’

Hand-written, in reply to Valentine&#8217;s day romanticism.

Hand-written, in reply to Valentine’s day romanticism.

The Girl I Met Last Night

I can’t remember who told me she was blind.

It’s probably not that important, in the scheme of things. It just ended up being a study in character, in my own, twisted and perverted sense of politically correct selfishness. Or maybe she really did touch my heart in a profound way.

Afterall, I’ve been thinking about her almost all day.

I was at a houseparty last night. I don’t go to those much these days. I usually end up at BANG inexpertly attempting to catch the attention of punk/emo girls who won’t have a bar of it.

But this was different. It was a hosue warming for a friend of mine at the (some five) other people he lives with. It was out in East Brunswick. So yes, it narrowly escaped the ‘Brunswick Wankhole’ status, but it was a fine evening.

I recall now, it was the host who informed me. He walked past me, narrowly avoiding a shattered bottle of Victoria Bitter as he went. He made some slightly slurred comment, and I inquired as to his meaning.

‘Chrissy,’ he told me, gesturing lazily over to the grass of his backyard. ‘She’s sitting there alone because they’re playing Goon of Fortune.’

Upon inquiring as to what the game entailed, I discovered that it comprised solely of tying a packet of casket wine (ie; ‘goon sack’ os ‘silver pillow’), precariously to the corner of a washing line, and then spinning the line arund and around until it stopped before a competitor, who then must drink.

It’s basically spin the bottle, but nobody gets to kiss.

‘Why isn’t she playing?’ I asked.

‘She can’t see the fucking goon-sack.’ He informed me.

‘Huh?’

‘She’s blind.’ He told me.

Oh. She’s blind. That was new. I looked over to where she sat upon a green milk crate that stood within a haphazard circle of around six others just like it.

But those seats were all empty.

She had her back to me. Long, straight, brown hair fell down pver her back. She wore a green dress that hugged tightly to her waist and hips. A collapsable white cane was tucked under her arm, and in her lap sat her black clutch.

I’m not sure how long I stood considering her, but my heart twisted fairly rapidly. She was sitting there. Alone. The sounds of two dozen people encircling her. Laughter, playful yelling, triumphant cheers exploding intermittently from the tables of any number of drinking games.


I’d been there before. In her position, I mean. Just sitting alone while the rest of the party, (and sometimes, the world), carried on around me. But I could always idly play with my phone, or watch the festivities or…

And even as I write this, I’m still not sure how I feel.

All I know is that when I saw her sitting there by herself, I felt terrible. I felt alone for her, even though I didn’t know anything about her. She might have like sitting alone and just listening. How the fuck would I know?

It was Phoebe, of course. Phoebe that pushed me. Phobe, the subject of some prose of the past, who told me to talk to her.

‘It’ll make her night!’ She told me.

‘But it shouldn’t.’ I argued. Me. Me? Going over and talking to her shouldnt ‘make’ anyone’s night. Would doing so just be drawing refference to the face that she’s ‘different’? I wouldn’t go over and just talk to anyone else.

These thin, annoying, social cues allude me.

I’m nowhere near as confident as I make myself out to be.

The longer I stared, the more it upset me. She sat there, idly fingring the strap of her white cane, tilting her head every now and then to turn her ears in a different direction.

When I approached, I at first walked past her, and made conversation with some of the people nearby who were playing goon of fortune. One of the guys I was talking too was fairly drunk, and he kept stepping back agin and again during the conversation, and he began to brush up against the blind girl.

She got off the milk crate, collected her cane and clutch, and isntead stood next to the seat, so as not to inconvenience the drunkard.

I took that as my cue. ‘Sorry, apparently we’ve forced you off your seat.’ I told her. She smiled and laughed, and said it was no problem.

I slowly meandered closer to her, and began to converse. I introduced myself and she told me her name was Chrissy. There came a moment, where I began offer my hand, but then retracted before it was replaced with an awkward silence.

I stood with her a while I talked. I asked her who she knew at the party, where she was from, what she was studying, etcetera. I despise small talk, but I’m sure it was evident. I wanted to talk to her.

And as it turned out, she was majoring in English and Creative Writing. From there, we spoke about my manuscript, and touched on this blog. I asked her if she kept a blog. She told me that she used to.

I managed to avoid asking stupid questions, such as; ‘how?’

I’m not sure if my complete aversion to the subject of her disability made her feel more or less comfortable. Was it ‘nice’ for her to speak to someone for a length of time without having to answer what, by now, would be old questions she’d answered a thousand times in the past? ‘How do you use your phone?’ ‘How do you write?’ ‘Do you drive?’ ‘Do you get all your texts in braile or audio book?’

Or would it have been the opposite? Would she have felt trapped, as if I’d left her blindness as a big, burly elephant in the corner of the room? A subject that she knew I was inentionally avoiding in an attempt to make her feel comfortable? God, how fucking high-and-mighty would I have to be to think I could get away with that?

There is nothign worse you can give anyone in this world than pity, and that’s why I hate myself for doing what I did; for talking to her, and trying to treat her the same as everyone else, and by doing so, treating her differently.

Or perhaps she didn’t even notice? Is it more likely that this is just her life, and she either answers the questions or she doesn’t, and either way doesn’t even care, so long as the conversation is stimulating?

As we spoke, which would have been for around an hour, I became intnetly aware of the fact she couldn’t see me. I know that sounds stupid, given the subject, but having a long, and somewhat deep conversation with someone and never making eyecontact was surreal.

To another extent, I think that I felt more comfortable. I’m never hapy with my physical appearance, and perhaps because I knew I didn’t have to worry about that, and maybe that’s why I felt more confident as time went on? It was all completely subconcious. I never thought about it like that until right now.

I didn’t want to take her as a stereotyped example of; ‘well, be thankful for what you do have’ or any of that shit. That’s not being fair to her, right?

Phoebe summed it up for me later; ‘you shouldn’t feel sorry for her, she deals with it every day, and she’s fine.’

While of course we can’t know that for sure, I understand completely the possibility. How would you like it if someone ‘felt sorry’ for you for something, but you couldn’t empathise to the flaw yourself? You’d feel completely alienated. Judged. Ostricised.

But, while Chrissu and I were talking, things slowly became natural, and for a while, I forgot that she was blind. We were talking about America. Music. Food. Our mutual love of New Orleans and the English language. We shared stories about the people we both knew here, and personal stories about our schooling and all those things that come up naturally.

Then, I noticed behind her the inflattable pool. I hadn’t seen it before, which seemed strange. It was a metre high, sitting on the lawn in the backyard. I blinked, and said; ‘Oh, wow, I’ve just noticed there’s a pool here.’

‘Oh really?’ She replied. ‘Is it filled?’

The question broke my heart. In the most profound way. The innocence. The simplicity of it. The light, relaxed way she’d asked it, as if everything was fine. ‘Is it filled?’ Is the fucking pool filled with water?

I felt my lip quiver. I thought for a moment that I might cry.

‘Yeah,’ I told her. ‘It’s all plastic, though. It’s got these blue flaps around the rim that have been pumped up to stop it from over-flowing. And there’s an infltable kangaroo floating in it.’

‘Cool.’ She said, and then went back to what we were speaking about previously.

What the fuck just happened? I still can’t quite explain what it was I felt in that moment. That overwashing feeling that made me and the problems I have seem infantismal to the fact that this girl I was talking to needed the sight of an inflatable pool described to her, and then went on with her conversation -and life-, as if nothing were amiss.

And it makes me feel disgusting and empty that I even think of the situation as ‘profound’. The borderline objectivity of her in order to put my own life into perspective is sickening on my part.

I couldn’t, I can’t live and let live. There has to be a meaning and a reason. And this girl just… I’m not sure. She got me. I almost don’t want to write anymore.

After a while, she said that she needed to get going. She stood up and I rose with her, and walked her to the back door of the house so she could go in and say her good-byes.

‘It was really nice meeting you,’ she told me.

‘It was great meeting you, too,’ I said. ‘I’m going to kiss you on the cheek.’

‘Okay.’ She said, as I leant in and planted my lips gently on her cheek bone.

‘I’ll see you soon.’ I told her.

‘See you!’

And she walked into the house.

Snowglobes

This city is really fucking small.

I ran into another internet friend today. Similar to the times I ran into Pixie, it was a small convooluted series of events that landed my feet in the right place at the right time to bring me into contact with a fantastic person.

I don’t know, shit like that always makes me smile. I love meeting people. And internet people are the best. Only because these sites like tumblr, and twitter especially, tend to filter people, and it turns out you can tell really quickly whether  or not you’d get along with someone.

I’m still being an emotional masochist. I’m spending time with Eleanor (within working hours, at least), despite the fact I don’t work in the same building as her anymore. I think I’m going to help her write a resume to try and get her out of there as well.

I really hate her, for the way she makes me feel. I wonder, sometimes, if she notices that I’m pretty much just turning to goo whenever I’m around her? I suppose she wouldn’t, seeing as though she hasn’t seen me around many other people before

I’m getting some money together to get my manuscript assessed. I haven’t posted any of it here, and I don’t plan to. It’s getting a bit serious now, with meetings and binders, and large sums of cash. And being asked “What image can you see on the cover?”

For that, I plan to enlist Cat, though I’m not sure I’ve told her yet.

I don’t know. None of this is particularly interesting. I’ve been away from here because I’ve been trying to do real-human-adult things like work on my prospective career.

In the meantime, though, listen to me embaress myself and be hilarious on the podcast co-host with my good friend Riley Knight, over at talk of many things.

Yeah, this entire post was a glorified podcast plug. You got me.

Love and Kittens,

Brian